📌 Snapshot
- Defines communication as a process of thinking, observing, understanding, analysing, sharing and transmitting feelings/ideas, derived from the Latin word communis meaning "common".
- Classifies communication on four bases — type of interaction (one-way / two-way), levels (intra-personal, inter-personal, group, mass, intra- and inter-organisational), means/modes (verbal, non-verbal), and number of senses involved.
- Explains the SMCRE model of the communication process — Source, Message, Channel, Receiver and Effect (feedback).
- Distinguishes traditional media (Jatra, Ramleela, Tamasha, folk songs, puppetry) from modern media (radio, TV, internet, mobile, satellite) and lists nine functions of media.
- Explains communication technology, its cable-based vs wireless classification, and modern technologies (micro-computers, video text, e-mail, interactive video, teleconferencing, Bluetooth) — high CUET yield because of factual, definitional content.
📖 Detailed Notes
2.1 Core concepts
Communication and Extension, along with Mass Communication and Public Relations, forms one of the five HEFS fields. Communication is not merely a personal skill but a public-health, development and social-change tool — directly relevant to Indian extension programmes such as ICDS, Anganwadi, Saakshar Bharat, Doordarshan's farm and family programming, and the modern Digital India / Jan Aushadhi outreach.
- Concept of communication: It is the process of thinking, observing, understanding, analysing, sharing and transmitting feelings to others through diverse mediums; the word stems from the Latin communis meaning "common" — effective communication creates a shared understanding between communicator and receiver (NCERT §6.1, p. 75).
- Classification by type of interaction: One-way (receiver cannot reciprocate immediately — speeches, lectures, sermons, radio, TV, internet searches); Two-way (parties exchange ideas silently or verbally — mobile chat, baby's cry to mother) (NCERT §6.1 A, pp. 75–76).
- Classification by levels: Intra-personal (communicating with oneself, e.g., mental rehearsal before an interview); Inter-personal (face-to-face with one or more — most effective due to proximity and instant feedback); Group (more than two persons, participatory, uses audio-visual aids); Mass (multiplying messages by mechanical device to large, heterogeneous, anonymous audiences — radio, TV, newspapers, magazines, satellite; feedback is slow, cumulative, expensive and delayed); Intra-organisational (within an organisation, two-way at same level and one-way across levels); Inter-organisational (between organisations for cooperation, e.g., Govt of India with UNICEF/USAID/UNDP) (NCERT §6.1 B, pp. 76–78).
- Classification by means/modes: Verbal — auditory means like speaking, singing, tone of voice; an individual spends about 70 per cent of active time communicating verbally (listening, speaking, reading aloud). Non-verbal — gestures, facial expressions, posture, eye contact, touch, para-language, writing, clothing, hair styles, architecture, symbols, sign language (e.g., smoke signals used by some tribal people) (NCERT §6.1 C, p. 79).
- Classification by number of senses involved: People retain ~10% of what they read, 20–25% of what they hear, 30–35% of what they see, 50%+ of what they see and hear, and 90%+ of what they see, hear and do — involvement of more senses makes learning more clear and permanent (NCERT §6.1 D, p. 79).
- SMCRE Model: Six elements arranged in a cycle — Source (communicator/originator/sender), Message (information/ideas/content), Channel (tools/medium), Receiver (audience), and Effect (feedback / audience response); described by "Who says, what, to whom, when, in what manner, under what circumstances and with what effect" (NCERT §6.1, pp. 80–82, Figure 2).
- Types of channels: Inter-personal communication channels (individuals and groups) and mass media communication channels (satellite, wire-less and sound waves) (NCERT §6.1, p. 82).
- Definition of media: Media is the means that uses various methods of communication for disseminating and sharing ideas, thoughts, feelings, innovations and experiences; mass media is always meant for heterogeneous, anonymous and large audiences (NCERT §6.2, p. 83).
- Traditional media: Folk theatre/drama — Jatra (Bengal), Ramleela & Nautanki (Uttar Pradesh), Bidesia (Bihar), Tamasha (Maharashtra), Yakshagana & Dashavatar (Karnataka), Bhavai (Gujarat); folk songs — Baul & Bhatiali (Bengal), Sna & Dadaria (MP), Duha & Garba (Gujarat), Chakri (Kashmir), Bhangra & Gidda (Punjab), Kajri, Chaiti & Allha (UP/Bihar), Powda & Lavni (Maharashtra), Bihu (Assam), Charans & Bhaatt (Rajasthan); puppetry — string puppets Sutradharika (Rajasthan, Gujarat) and Chhaya Putli (shadow puppets in southern parts) (NCERT §6.2, pp. 83–84).
- Modern media: Radio, satellite television, modern print media, films, audio cassette and compact disk, cable and wireless technology, mobile phone, video film and video conferencing (NCERT §6.2, p. 84).
- Nine functions of media: Information, Persuasion/Motivation, Entertainment, Interpretation, Transmission of values, Education or training, Coordination, Behavioural change, Development (NCERT §6.2, pp. 84–85).
- Communication technology: Various technologies developed and used to handle information and aid communication — includes hardware, organisational structures and social values; data may be analogue (electronic signals) or digital (NCERT §6.3, p. 87).
- Classification of communication technologies: Cable (land) based — cheaper, less complicated (landline telephone, PC without internet); Wireless — less infrastructure but more expensive (radio, microwave and satellite wireless telephony, Bluetooth in mobile phones and computers) (NCERT §6.3, p. 87).
- Radio & TV milestones: Radio commands a universal audience by geographical spread, income, education, age, sex and religion. Television was introduced in India in 1959 primarily to impact education and promote rural development; the first TV transmitter was acquired by Pij village in Gujarat (NCERT §6.3, pp. 86–87).
- Modern communication technologies: Micro-computers (microchip-based), Video text (electronic text from central computer to home TV via telephone/cable, interactive), Electronic mail (electronic surface mail), Interactive video (combination of computer and video, multi-media), Teleconferencing (interactive group communication for geographically dispersed participants). Bluetooth is a low-cost, short-range RF link transmitting voice and data, up to 8 times the speed of parallel/serial ports, through solid non-metal objects (NCERT §6.3, pp. 87–89). Four extensions add depth. First, the classification by levels (intra-personal → inter-personal → group → mass → intra-organisational → inter-organisational) maps onto a 'concentric rings' model of communication scale. Intra-personal sits at the centre (the individual self talking to itself); inter-personal is one-to-one or small face-to-face; group is small to medium; mass is large heterogeneous anonymous audiences via mechanical multiplication; intra-organisational governs internal flows within a single organisation; inter-organisational handles flows between organisations such as the Indian government and UNICEF. Remember that 'organisational' levels are not redundant with 'group' — they are organisational in the sociological sense (formal entities), not numerical. Second, in the verbal-vs-non-verbal mode classification, the 70% figure for verbal time pairs with the fact that non-verbal cues (gestures, posture, eye contact, para-language) often carry more affective weight than verbal content — which is why Anganwadi workers are trained extensively in body language and folk-song interaction in addition to spoken Hindi/regional language. Third, in the SMCRE model, 'feedback' (the E in SMCRE — Effect) is what distinguishes successful communication from mere transmission. Mass media historically had slow, cumulative and expensive feedback; modern social media has compressed this loop dramatically — a context CUET items can exploit to test whether students see the model as a static formula or as a dynamic cycle. Fourth, traditional Indian folk forms include Jatra (Bengal), Ramleela/Nautanki (UP), Bidesia (Bihar), Tamasha (Maharashtra), Yakshagana/Dashavatar (Karnataka), Bhavai (Gujarat), Baul/Bhatiali (Bengal), Bihu (Assam), Bhangra/Gidda (Punjab), Lavni/Powda (Maharashtra), and puppetry (string Sutradharika in Rajasthan/Gujarat; shadow Chhaya Putli in southern India). These regional listings are CUET match-the-following gold. Modern media include radio, satellite television, mobile, internet, video conferencing — and the cable-based vs wireless distinction in §6.3. Television in India deserves committing to memory. TV was introduced in India in 1959, primarily for educational and rural-development objectives, and the first TV transmitter was acquired by Pij village in Gujarat. SITE (Satellite Instructional Television Experiment) of 1975-76, INSAT and Doordarshan's growth followed; these are the standard Indian backdrop. The nine functions of media — Information, Persuasion/Motivation, Entertainment, Interpretation, Transmission of values, Education/training, Coordination, Behavioural change, Development — should be memorised in order, since CUET frequently tests which is not listed.
2.2 Definitions to memorise
| Term | Definition | Page |
|---|---|---|
| Communication | Process of thinking, observing, understanding, analysing, sharing and transmitting feelings/ideas through diverse mediums; from Latin communis meaning "common" | 75 |
| One-way communication | Receiver receives information but cannot reciprocate immediately (e.g., TV, radio, lecture) | 75 |
| Two-way communication | Two or more parties exchange ideas silently or verbally (e.g., mobile chat) | 75–76 |
| Intra-personal communication | Communicating with oneself; on-going mental process (e.g., mental rehearsal before interview) | 76 |
| Inter-personal communication | Sharing thoughts with one or more in face-to-face situation; most effective due to proximity and instant feedback | 76–77 |
| Mass communication | Process of multiplying messages with the help of any mechanical device and disseminating to masses; audiences are large, heterogeneous, anonymous | 77 |
| Media | Means that uses various methods of communication for disseminating and sharing ideas, thoughts, feelings, innovations, experiences | 83 |
| Verbal communication | Auditory/verbal modes — speaking, singing, tone; ~70% of active time spent verbally | 79 |
| SMCRE Model | Communication model with Source, Message, Channel, Receiver, Effect (feedback) | 80 |
| Communication technology | Technologies developed and used to handle information and aid communication; analogue or digital | 87 |
| Bluetooth Technology | Low-cost, short-range radio frequency (RF) link transmitting voice and data, 8× speed of parallel/serial ports, through solid non-metal objects | 88 |
| Teleconferencing | Interactive group communication system for geographically dispersed/physically distant people | 89 |
| Non-verbal communication | Communication through gestures, facial expression, posture, eye contact, touch, para-language, writing, symbols | 79 |
| Source | Communicator / originator / sender of message in SMCRE | 80 |
| Message | Information / ideas / content transmitted in SMCRE | 80 |
| Channel | Tools / medium that carry the message | 80 |
| Receiver | Audience / decoder of message in SMCRE | 80 |
| Effect / Feedback | Response of audience completing the SMCRE cycle | 80 |
| Mass media | Means meant for heterogeneous, anonymous and large audiences | 83 |
| Jatra | Traditional folk theatre of Bengal | 83 |
| Nautanki | Traditional folk theatre of Uttar Pradesh | 83 |
| Tamasha | Traditional folk theatre of Maharashtra | 83 |
| Bhavai | Traditional folk theatre of Gujarat | 83 |
| Yakshagana | Traditional folk theatre of Karnataka | 83 |
| Bidesia | Traditional folk theatre of Bihar | 83 |
| Sutradharika | String puppetry of Rajasthan & Gujarat | 84 |
| Chhaya Putli | Shadow puppetry of southern India | 84 |
| Pij village | Site of India's first TV transmitter (Gujarat) | 87 |
| Television introduction in India | 1959 | 87 |
| Analogue signal | Electronic signal type used by older communication tech | 87 |
| Digital signal | Modern computer-encoded signal type | 87 |
2.3 Diagrams / processes to remember
- Figure 1: Communication System among various Organisations — Government of India linked to Govt ministries (MoE, Ministry of Women & Child Development) and to international agencies (UNICEF, USAID, UNDP) and Indian NGOs (p. 78).
- Figure 2: The SMCRE Model of Communication — Source → Message → Channel → Receiver, with "Effect of Communication (Feedback)" as a return arrow (p. 80).
- Sense-retention table (p. 79): Read 10% · Hear 20–25% · See 30–35% · See+Hear 50% · See+Hear+Do 90%.
- Table 1 (p. 79): Classification of communication based on number of senses — audio category includes radio, audio recordings, CD players; audio-visual includes television, video films, multi-media.
2.5 Key data / processes table (Indian context)
| Item | Value / fact | Source |
|---|---|---|
| Latin root of 'communication' | communis (meaning 'common') | NCERT p. 75 |
| Average % of active time in verbal communication | 70% | NCERT p. 79 |
| Retention — only read | ~10% | NCERT p. 79 |
| Retention — only heard | 20–25% | NCERT p. 79 |
| Retention — only seen | 30–35% | NCERT p. 79 |
| Retention — seen + heard | 50%+ | NCERT p. 79 |
| Retention — seen + heard + done | 90%+ | NCERT p. 79 |
| SMCRE elements | Source, Message, Channel, Receiver, Effect/Feedback | NCERT p. 80 |
| Year of TV introduction in India | 1959 | NCERT p. 87 |
| First TV transmitter site | Pij village, Gujarat | NCERT p. 87 |
| Number of media functions listed | Nine | NCERT pp. 84–85 |
| Media functions | Information; Persuasion; Entertainment; Interpretation; Transmission of values; Education/training; Coordination; Behavioural change; Development | NCERT pp. 84–85 |
| Cable-based technologies | Landline telephone; PC without internet | NCERT p. 87 |
| Wireless technologies | Radio; microwave/satellite telephony; Bluetooth | NCERT p. 87 |
| Bluetooth speed | Up to 8× parallel/serial ports | NCERT p. 88 |
| Bluetooth medium | Short-range RF, transmits through solid non-metal objects | NCERT p. 88 |
| Levels of communication | 6 — intra-personal, inter-personal, group, mass, intra-organisational, inter-organisational | NCERT pp. 76–78 |
| Inter-organisational example | GoI ↔ UNICEF/USAID/UNDP | NCERT p. 78 |
| Indian extension institution (context) | Anganwadi (under ICDS, MWCD) | India context |
| Indian public broadcaster | Prasar Bharati (AIR + Doordarshan) | India context |
2.4 Common confusions / NTA trap points
- One-way vs Mass: Mass communication can be one-way but they are not synonyms; mass communication is defined by multiplying messages to large heterogeneous audiences via mechanical devices.
- Intra-personal vs Inter-personal: Intra = with oneself (mental rehearsal); Inter = face-to-face with one or more persons. NTA flips these.
- Traditional vs Modern media: Puppetry, Ramleela, Jatra, folk songs and even newspapers/charts/posters are listed as traditional; radio, satellite TV, mobile, internet, video conferencing are modern.
- 70% figure applies to verbal communication (active time), not to retention by senses (which is the 10/20/30/50/90 series).
- TV introduction year — 1959 in India; first TV transmitter — Pij village, Gujarat. These two facts are often swapped in distractors.
- SMCRE = five elements with feedback as the fifth; the NCERT also says "Six elements" by counting feedback separately — the model name has 5 letters but feedback closes the cycle.
- Verbal includes singing and tone of voice — NOT only spoken words. Written language belongs partly to non-verbal in NCERT's framing.
- Charts, posters, drawings are listed by NCERT under traditional media; many students wrongly place them in modern media.
- Group communication ≠ mass communication — group is small participatory, mass is large heterogeneous via mechanical multiplication.
- Number of media functions is nine — NTA distractors often say seven or eleven.
🎯 Practice MCQs
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Q1. The word "communication" is derived from the Latin word *communis*, which means:
▸ Show answer & explanation
Answer: B
*communis* means "common" — emphasising the shared understanding between communicator and receiver. Options A, C and D are conceptually close but are not the literal Latin meaning given in NCERT.
Q2. an individual on average spends about what percentage of her/his active time in communicating verbally (listening, speaking and reading aloud)?
▸ Show answer & explanation
Answer: C
The figure of 70% applies to verbal communication. 90% is the retention figure for "seen, heard and done" — a typical distractor confusing the two statistics.
Q3. Which of the following is the correct sequence of elements in the SMCRE Model of communication?
▸ Show answer & explanation
Answer: B
SMCRE stands for Source, Message, Channel, Receiver, Effect (feedback). The other options use synonyms but do not match the model's exact terminology.
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Q4. Match the following folk forms with the correct State/region: | Folk form | State | |---|---| | 1. Bidesia | i. Maharashtra | | 2. Tamasha | ii. Bihar | | 3. Bhavai | iii. Karnataka | | 4. Yakshagana | iv. Gujarat |
▸ Show answer & explanation
Answer: A
Bidesia–Bihar, Tamasha–Maharashtra, Bhavai–Gujarat, Yakshagana–Karnataka, exactly.
Q5. Assertion (A): Inter-personal communication is considered the most effective and ideal type of communication. Reason (R): It allows direct proximity between communicatee and communicator, and instantaneous strong feedback is possible.
▸ Show answer & explanation
Answer: A
The NCERT gives exactly these two reasons (proximity + instantaneous feedback) for why inter-personal communication is most effective — Reason directly explains Assertion.
Q6. According to Table 1 / sense-retention data, people remember approximately what percentage of what they have "Seen, Heard and Done"?
▸ Show answer & explanation
Answer: C
Greater involvement of senses leads to higher retention; "see, hear and do" yields 90%+. 50% corresponds to "seen and heard"; 30–35% to "see" only.
Q7. Which of the following correctly identifies a feature of Bluetooth technology?
▸ Show answer & explanation
Answer: B
The NCERT defines Bluetooth as a low-cost short-range RF link transmitting voice and data at up to 8× the speed of parallel/serial ports, through solid non-metal objects. Option A reverses cost/range; C confuses it with cable-based tech; D confuses it with satellite communication.
Q8. Which of the following is NOT one of the nine functions of media?
▸ Show answer & explanation
Answer: C
The nine functions are Information, Persuasion, Entertainment, Interpretation, Transmission of values, Education/training, Coordination, Behavioural change, Development. Surveillance is not in NCERT's list.
Q9. India's first TV transmitter was acquired by which village?
▸ Show answer & explanation
Answer: A
Q10. Match the puppetry type with the region: | Type | Region | |---|---| | (i) Sutradharika (string) | (P) Southern India | | (ii) Chhaya Putli (shadow) | (Q) Rajasthan & Gujarat |
▸ Show answer & explanation
Answer: A
Q11. A teacher uses lecture + blackboard + classroom demonstration + lab experiment. Per NCERT sense-retention data, students will likely retain approximately:
▸ Show answer & explanation
Answer: D
Engaging see + hear + do (experiment) yields ≥90% retention.
Q12. Which level of communication is exemplified by the Government of India coordinating with UNICEF and UNDP?
▸ Show answer & explanation
Answer: D
Q13. Assertion (A): Greater involvement of senses leads to more clear and permanent learning. Reason (R): Read-only retention is ~10%; see-hear-and-do retention is ~90% and more.
▸ Show answer & explanation
Answer: A
The retention figures directly justify the claim about multi-sensory learning.
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